Well, it’s official: Naruto, the crested macaque monkey who took photographs of himself while on a reserve on the island of Sulawesi, Indonesia in 2011, lacks statutory standing under the US Copyright Act to sue for copyright infringement.

As we had previously reported to you in earlier blogs, a controversy erupted several years ago over who, if anyone, owns the copyright in “selfie” photographs that were taken by a monkey on an unattended camera. It was determined that David Slater, the photographer who left his camera unattended in the Indonesian reserve, did not own the copyright since he did not take the photographs.

Continue Reading Monkeys Lack Standing to Sue for Copyright Infringement

As we reported in a recent post, PETA lost its efforts, on behalf of Naruto the monkey, to secure his claim to copyright ownership of his “selfie” photograph. The district court judge held that the copyright law did not recognize an animal’s right to own a copyright. PETA is not, however, deterred, and it has filed an appeal of this decision to the US Court of Appeals for the Ninth Circuit. Its arguments on appeal are not yet available, but we will update this post when we have further details. Stay tuned.

In August 2014, we posted about a copyright ownership dispute involving selfie photographs. The disputed selfie photographs were taken by a monkey named Naruto in Indonesia in 2011. The photography equipment used to take these internationally famous “monkey selfies” belonged to famed wildlife photographer David Slater. At the time, Slater claimed copyright ownership because he owned the camera with which the “monkey selfies” were taken. In contrast, Wikimedia, having posted the photographs on Wikipedia, claimed the photographs were part of the public domain because U.S. copyright law recognized ownership of copyright in works produced only by human authorship.

In December 2014, the U.S. Copyright Office published a revised edition of the Compendium of U.S. Copyright Office Practices, a resource on institutional practices and related principles of U.S. copyright law. In it, it states “the Office will not register works produced by nature, animals, or plants… [or] a work purportedly created by divine or supernatural beings.” The Compendium includes specific examples of work not eligible for copyright protection. The first example: a photograph taken by a monkey.

In September 2015, the People for the Ethical Treatment of Animals, Inc. (“PETA”) filed a copyright infringement complaint in the U.S. District Court for the Northern District of California against Slater, on behalf of Naruto, asking the court to declare Naruto to be the author and copyright owner of the “monkey selfies” and to hold that all proceeds from the sale, licensing, and commercial use be used solely for the benefit of Naruto. PETA contended that since the photo(s) “resulted from a series of purposeful and voluntary actions by Naruto, unaided by Slater,” Naruto was the author. PETA noted the author is typically “the person who sets up and snaps the shutter,” to which Slater’s attorneys responded that “setting up what became a world-famous, award-winning photograph is what professional nature photographer Defendant David Slater did.”

On January 28, 2016, following U.S District Judge William Orrick’s bench ruling earlier in the month, Judge Orrick issued a written Order granted defendants’ motion to dismiss. Citing to earlier precedent, the court noted that if Congress and the President intended to authorize animals to have standing to sue, they had the power to do so and, thus far, they had not done so. Accordingly, Judge Orrick held that under the current Copyright Act and consistent with the Compendium, animals cannot own a copyright and therefore Naruto is not an “author” within the meaning of the Copyright Act.

Whether U.S. law will ever be changed to allow copyright ownership by non-human “authors” of any type remains to be seen.